Tick–tock–tick–tock . . . that un- relenting beating is the bane of many a music student . . . a 200-year-old invention that
is still clicking strong: the metronome!
There are those who hate it and those
who are slaves to it. Used by novices
and experts, beginners to Beethoven,
the metronome is at times a foe and
at others a friend, but it’s there to be
counted on—no pun intended.
What is its purpose? Is it really
needed? Does it inhibit musicality? Whether you’re a skeptic or a
fan, you can’t deny that the metronome’s continued use over the
two centuries since its invention speaks to the importance
and permanence of this often
controversial rhythmic device.
Mr. Maelzel’s
Metronome
Johann Nepomuk Maelzel
(or Mälzel in German) is
credited with the invention of the metronome,
although there is evidence that he merely
appropriated and improved on someone
else’s idea. Nonetheless, Maelzel (1772-
1838) publically
presented his metronome in 1815, patented
it, and established himself as manufacturer
of this new mechanical device designed to
improve musical performance.
The rhythmic tool was commonly referred to as “Maelzel’s Metronome.” Mr.
Maelzel has been remembered and honored for this invention with the “M.M.”
abbreviation that has traditionally introduced metronome indications in
musical scores.
The Metronome’s Function
Metronome is a word that derives
from the Greek and combines
metron, or measure, with nomos,
or law. In other words, it is an
instrument that governs musi-
cal meter or time. Its naysayers
oppose the concept of a rigid
division of time in an artistic
setting. Its proponents tout
its merits as an invaluable
practice tool.
The metronome’s basic
concept has remained
the same since its in-
vention. The original
mechanism was a wind-
up pendulum, a classic
device that remained
in use for more than
150 years. Although
innovations have
been made with the
www.TheOldSchoolhouse.com
The Metronome:
Keeping Time for 200 Years
Used by novices and experts, beginners to Beethoven . . .
by Karen Haid
